Romina Bianco, voice and hart.

The tango has a very young Argentinean interpreter that brings together her knowledge of the genre and a very fine developed vocal diversity.

The tango is a musical genre that keeps being renewed cyclically.
Argentinean singers, musicians and dancers around the world keep this centenary music alive that proved itself capable of bringing together feelings of desperation or solitude and transform them into comforting emotions.

The tango-song was born in the 20’s and since then, Argentina produced poets and musicians capable of expressing life itself with a lyricism that found its maximum figure in Carlos Gardel. This passion was already sung without words by the bandoneon (tango accordion), but the tango discovered its best instrument in the human voice.

The tango-song has drawn the central and emotional line of the genre though the dance, enjoyed in thousands of milonga places around the world, or the music concerts share the center stage.

In the last decades, a lot of female voices had raised to stardom in this historically masculine genre. Exemplary representative of this effervescent movement is Romina Bianco, a 24 year-old singer that has come already disciplining his privileged voice from 1996 in that she began to take song classes, to be able to approach the big landmarks of the tango repertoire with great passion and technique.

Her first disk, launched in the Spanish market by the new publisher Discatmusic, surprises for the way in which joins the tango roots and vitality. Romina knows the old tango, but she is also woman of its time and possesses the young spirit that, with all probability, will take her to stardom.

For that reason her disk “Disfrazada de mi” (Desguised as myself) is able to take tango’s classic pieces like “El último café” from 1963; “Pasional” from 1951; “Uno”, from 1943; “Cambalache” from 1935; or “Chorra” from 1928 and, without moving them even an apex from its genuine intention, treats them with instrumentations and absorbed arrangements of contemporary pop music and transforms them into songs of the 2003.

At the same time, songs like “Aquellas pequeñas cosas”, from the Spanish composer Joan Manuel Serrat, “Noches de boda”, From Joaquin Sabina, or “Grafiti de las almas”, from Argentinean composer Lito Vitale, are sung with a tango soul and they maintain the unit with the rest of the disk, keeping, the same spirit that inspired them, at the same time that they present an unquestionable originality. Undoubtedly the whole disk is indebted of the bandoneón of Néstor Marconi, with Roberto Kano’s arrangements and Elio Barbeito’s the production.

The spotlight belongs to this young artist from Buenos Aires, Romina Bianco, of admirable voice, diction and interpretative heart. You need to have such a voice to approach a repertoire that, as that of the tango, has pieces written for big singers. Romina Bianco just has it. You need to know how to say the tango-song. Romina Bianco has a perfect diction for it.

It is necessary to have a lot of heart so that those songs arrive to the publics with the vital energy that makes them believable. Romina Bianco, in spite of their youths 24 years, has that heart able to make the dreams and the fleeting experiences of happiness that sprinkle our lives become infinite hope, those that produce the art, those that it spread for the world the tango-song for 80 years.

“Disfrazada de mi”, is the title of an album that shows the personal value of an artist that wants to hoist the flag of authenticity. “We usually have to wear masks, disguise ourselves in order to keep going with what the society is imposing on us, but I like authentic people… so if I have to choose a disguise in life, I choose to go as myself”, says Romina Bianco.

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